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Rebel Wilson exposes A-lister who "threatened" her over book release

Rebel Wilson has slammed a Hollywood A-lister for allegedly threatening her over the release of her new memoir. The Aussie actress is set to release her autobiography Rebel Rising on April 2nd, which details her rise to stardom from Australia to the US. In the book, she has dedicated a chapter to one particular actor who she had an unfortunate experience with on the set of a movie in 2014. Now, Rebel claims Sacha Baron-Cohen, husband of Aussie actress Isla Fisher, has "threatened" her about the release of such information in the upcoming book. Taking to her Instagram, Rebel named and shamed the actor, writing, “I will not be bullied or silenced with high priced lawyer or PR crisis managers. The ‘a**hole’ that I am talking about in ONE CHAPTER of my book is Sacha Baron Cohen.” "Now the a**hole is trying to threaten me. He’s trying to stop press coming out about my new book. But the book WILL come out and you will all know the truth.” Sacha Baron-Cohen was quick to release a statement in response to the allegations, with his representative sharing the statement with <a href="https://www.tmz.com/2024/03/25/rebel-wilson-calls-out-sacha-baron-cohen-book-memoir/" target="_blank" rel="noopener">TMZ</a>. “While we appreciate the importance of speaking out, these demonstrably false claims are directly contradicted by extensive detailed evidence, including contemporaneous documents, film footage, and eyewitness accounts from those present before, during and after the production of The Brothers Grimsby,” the statement said. Wilson and Baron-Cohen worked on the comedy film The Brothers Grimsby in 2014, where Rebel alleges that Baron-Cohen acted sexually inappropriate towards her for the duration of the shoot. Image credits: Getty Images

Legal

How to protect yourself from cyber-scammers over the festive period

<a href="https://theconversation.com/profiles/rachael-medhurst-1408437">Rachael Medhurst</a>, <a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a> The festive season is a time for joy, family and festive cheer. However, it’s also a prime target for cybercriminals. As online shopping ramps up, so does the risk of falling prey to cyber-attacks. That’s why it’s crucial to be extra vigilant about your <a href="https://blog.tctg.co.uk/12-cyber-security-tips-of-christmas">cybersecurity</a> during this time. Here are some essential tips to safeguard yourself and your data during the festive period: <h2>Phishing</h2> Phishing is when criminals use scam emails, text messages or phone calls to trick their victims. Their <a href="https://www.ncsc.gov.uk/collection/phishing-scams">goal</a> is often to make you visit a certain website, which may download a virus on to your computer, or steal bank details or other personal data. This type of scam tends to <a href="https://www.egress.com/blog/phishing/holiday-phishing-scam-guide">increase</a> at this time due to the amount of people having bought or received new gadgets and technology. Look out for there being no direct reference to your name in any communications, with wording such as “Dear Sir/Madam” or other terms such as “valued customer” being used instead. Grammar and spelling mistakes are also often present. Be wary of any suspicious links or attachments within emails too, and don’t click them. It’s better to contact the company directly to check if the message is genuine. You can also <a href="https://www.ncsc.gov.uk/collection/phishing-scams">report</a> suspicious messages and phishing scams to the government’s National Cyber Security Centre. <h2>Shopping safely online</h2> The convenience of online shopping is undeniable, especially during the festive season. However, it’s crucial to prioritise your security when buying online. Before entering your personal and financial information on any website, ensure it’s legitimate and secure. Look for the “https” in the address bar and a <a href="https://theconversation.com/the-vast-majority-of-us-have-no-idea-what-the-padlock-icon-on-our-internet-browser-is-and-its-putting-us-at-risk-216581">padlock</a> icon, which indicates a secure and encrypted connection. When creating passwords for online shopping accounts, use strong, unique combinations of letters, numbers and symbols. Avoid using the same password for multiple accounts, as a breach on one site could compromise all your others. As with shopping in the real world, be cautious when encountering offers that are significantly below usual prices or which make extravagant promises. Always conduct thorough research on the seller and product before making a purchase. If a deal seems too good to be true, it probably is. And if you are out shopping in towns or city centres, there will often be a large number of public wifi options available to you. However, criminals can intercept the data that is transferred across such open and unsecured wifi. So, avoid using public wifi where possible, especially when conducting any financial transactions. <h2>Social media</h2> While social media platforms provide people with a means to keep in touch with family and friends over the festive period, they are often a goldmine for <a href="https://www.which.co.uk/consumer-rights/advice/how-to-spot-a-social-media-scam-aMtwF3u1XKGt">scams</a> and malware (software designed to disrupt, damage or gain unauthorised access to a computer). In the spirit of the festive season, people often share an abundance of personal information on social media, often without considering the potential consequences. This trove of data can make people vulnerable to cyber-attacks. Scammers can exploit this information to gain unauthorised access to social media accounts, steal personal information, or even commit identity theft. To protect yourself, be mindful of what you share. Be wary when interacting with posts and direct messages, especially if they contain suspicious links or attachments. Before clicking on anything, hover over the link to verify its destination. If it shows a website you don’t recognise or seems unrelated to the message, do not click on it. If you receive a message from someone you know but the content seems strange or out of character, contact them directly through a trusted channel to verify its authenticity. Likewise, be wary of messages containing urgent requests for money or personal information from businesses. Genuine organisations will never solicit sensitive details through social media. There are many buy and sell platforms available on social media. But while such platforms can be a great place to find a unique gift, it is also important to remember that not all sellers may be legitimate. So, it’s vital that you don’t share your bank details. If the seller sends a link to purchase the item, do not use it. When meeting to collect an item, it’s generally safer to use cash rather than transferring funds electronically. <figure><iframe src="https://www.youtube.com/embed/aO858HyFbKI?wmode=transparent&start=0" width="440" height="260" frameborder="0" allowfullscreen="allowfullscreen"></iframe><figcaption>Advice for staying safe online.</figcaption></figure> <h2>Package delivery scams</h2> As well as being a time for giving and receiving gifts, the festive season is also ripe for cybercriminals to exploit the excitement surrounding <a href="https://www.citizensadvice.org.uk/about-us/about-us1/media/press-releases/scams-linked-to-parcel-deliveries-come-top-in-2023/">package deliveries</a>. Scammers often pose as legitimate delivery companies, sending emails or text messages claiming that a delivery attempt was unsuccessful or requiring additional fees for processing, or even customs clearance. Typically, these messages contain links or phone numbers that, when clicked or called, lead to fake websites or automated phone systems designed to collect personal information or payments. To protect yourself, always verify the legitimacy of any delivery notifications you receive. Check the sender’s email address or phone number against the official contact information for the delivery company. If the information doesn’t match or seems suspicious, don’t click any links or provide personal details. Legitimate delivery companies will never ask for upfront payment or sensitive information through unsolicited messages or calls. Remember, cybercriminals are skilled at manipulating the festive spirit to their advantage. Stay vigilant, exercise caution, and don’t let your excitement for gifts and deliveries compromise your cybersecurity.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/218294/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/rachael-medhurst-1408437">Rachael Medhurst</a>, Course Leader and Senior Lecturer in Cyber Security NCSA, <a href="https://theconversation.com/institutions/university-of-south-wales-1586">University of South Wales</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/how-to-protect-yourself-from-cyber-scammers-over-the-festive-period-218294">original article</a>.

Money & Banking

Readers Respond: What's a book you love that most people have never heard of?

Looking for a new book to kickstart your year? Look no further we've got you covered. Here are a few of our reader's book recommendations that you may not have heard of. Ruth Fontaine - I’m reading We of the Never Never atm. Not sure if it’s still well known. I’ve read it before but awhile back and love it. I love reading how they lived nearly 120 years ago. Elaine Rosenberg - The Abbey Girls Series by Elsie J Oxenham. Maryika Welter - The courage to be disliked. ... Furmitake Kogan, Ichiro Kishimi. Janice Stewart - A Fortunate Life by Albert Facey Suzanne Midson - On Our Selection by Steele Rudd. Read it when I was about 10/12. Best laugh ever. Australian humour at its best. Julie Anderson - Episode of Sparrows by Rumor Goddin Nancie Golsby - The Half Burned Tree by Dympna Cusack June Maynard - Sahara, by Paula Constant. Preceded by Slow Journey South. A thrilling, actual account of her adventure. Peter Rayner - Enforcer by Caesar Campbell Meg Milton - I Heard the Owl Call My Name by Margaret Craven Edie Dore - The Curious Incident of the Dog in the Night-time by Mark Haddon. Christine Cornforth - A Grief Observed by CS Lewis. Wendy Oliver - The Good Earth by Pearl Buck Do you have any other recommendations that we might have missed? Image: Getty

Books

4 tips to help your loved one with dementia enjoy the festive season

<a href="https://theconversation.com/profiles/nikki-anne-wilson-342631">Nikki-Anne Wilson</a>, <a href="https://theconversation.com/institutions/unsw-sydney-1414">UNSW Sydney</a> The festive season is fast approaching, and if you’re organising celebrations with family or friends, you might be grappling with a seemingly endless to-do list. But as you make these plans, it’s important to consider how you can best include any friends or loved ones living with dementia. While no two people experience dementia in the exact same way, <a href="https://www.dementia.org.au/about-dementia/what-is-dementia">dementia</a> often affects the way people process and respond to their environment. Too much stimulation – like a lot of noise and activity at a Christmas party – can be overwhelming and may cause confusion or agitation. Finding ways to create a <a href="https://www.healthdirect.gov.au/creating-a-calming-home-for-people-with-dementia#:%7E:text=The%20physical%20environment%20is%20important,in%20and%20enjoy%20everyday%20activities.">safe environment</a> at home for your loved one with dementia will help maximise the chances everyone has a good time. <h2>1. Plan ahead, but be flexible</h2> Planning celebrations can be overwhelming for everyone involved, and having excessive expectations can raise stress levels. Try to keep <a href="https://www.dementia.org.au/information/about-you/i-am-a-carer-family-member-or-friend">expectations realistic</a> and in line with the current needs of your friend or loved one living with dementia. For example, people with dementia may experience <a href="https://www.dementia.org.au/information/about-you/i-am-a-carer-family-member-or-friend/personal-care/eating">changes in their appetite</a> or food preferences, or difficulties chewing and swallowing. These changes might make some of the things on your festive menu unappetising or difficult to eat. Be guided by the needs and preferences of the person with dementia and keep options limited to one or two special foods if larger banquets are likely to be overwhelming. Things can change quickly for people living with dementia and their abilities will likely <a href="https://www.dementia.org.au/about-dementia/what-is-dementia/progression-of-dementia#:%7E:text=A%20person%20with%20dementia's%20abilities,over%20a%20number%20of%20years.">vary from day to day</a>. Try to be flexible and have a backup plan in place. For special events, plan to record speeches or ceremonies to share when things are quieter. If you’re planning a large event, consider having a smaller gathering with your loved one with dementia and just a few special people. <h2>2. Stick to the familiar</h2> The sudden appearance of lots of decorations <a href="https://www.dementia.org.au/sites/default/files/helpsheets/Helpsheet-TipsToAssistSocialEngagement03-TipsForHolidayCheer_english.pdf">may be overwhelming</a> for a person with dementia and trigger a negative sensory reaction or distress. Ensure decorations are safe and familiar and put them up slowly over a period of a few days. Try to also stick to familiar traditions and routines. <a href="https://www.alz.org/help-support/caregiving/daily-care/daily-care-plan">Daily routines</a> are an important way of supporting people with dementia and sudden changes <a href="https://memory.ucsf.edu/caregiving-support/behavior-personality-changes#I-Investigate-Possible-Causes">may result in agitation and distress</a>. Stick to routine eating, bathing, and rest times where possible throughout the holiday period. For many people with dementia, long-term memories are less affected than <a href="https://www.alzheimers.org.uk/about-dementia/symptoms-and-diagnosis/symptoms/memory-loss">more recent memories</a>. Familiar family traditions can therefore be a good way to <a href="https://www.dementia.org.au/national/support-and-services/carers/therapies-and-communication-approaches">reminisce</a>. Family keepsakes or <a href="https://www.dementia.org.au/sites/default/files/20110303-NSW-LifeHistoryBook.pdf">memory books</a> can also help connect with stories from past celebrations. <h2>3. Have a quiet space</h2> Try to have <a href="https://www.scie.org.uk/dementia/supporting-people-with-dementia/dementia-friendly-environments/noise.asp">a quiet place</a> where the person living with dementia can go if things become overwhelming. Designating a support person who can stay with them throughout the day and take them to a separate room or area away from the action can help to keep things calm. Having some familiar objects or <a href="https://www.ncbi.nlm.nih.gov/pmc/articles/PMC5432607/#:%7E:text=Passive%20music%20listening%20is%20reported,et%20al.%2C%202013">quiet music</a> in the space can be a good way to block out the noise of activities and reduce agitation. <h2>4. Make sure everyone has a part</h2> Everyone wants to feel a part of the activities on a special day, including people living with dementia. Ensuring everyone has a role to play may mean modifying tasks to suit the abilities of the person with dementia. For example, if you’re hosting an event at home, try to get your friend or relative with dementia involved in the kitchen by tossing the salad or helping to set the table. People with dementia are still the same person, even if their abilities have changed or they can no longer communicate their needs and feelings like they used to. It’s important to treat everyone with dignity and try to include your friends and loved ones with dementia in celebrations whenever possible. <h2>Sometimes, you can’t be together</h2> Despite the best laid plans, sometimes it won’t be possible to share in festive celebrations with your loved one living with dementia. More advanced dementia, <a href="https://www.health.nsw.gov.au/Infectious/covid-19/Pages/racf-latest-advice.aspx">aged care visitor restrictions</a> or even just distance can keep many of us apart from our loved ones. Be prepared for this separation to bring up your own feelings of <a href="https://www.alz.org/help-support/caregiving/caregiver-health/grief-loss-as-alzheimers-progresses">grief or sadness</a>. Look after your mental health as well as the person with dementia. Caring responsibilities still largely <a href="https://www.pmc.gov.au/sites/default/files/resource/download/national-strategy-gender-equality-discussion-paper_0.pdf">fall to women</a> and it’s important to share the load. Where possible, the holidays can be a good time to think about giving primary carers a break to help them recharge for the year ahead. If you’re caring for someone with dementia and need support, <a href="https://www.dementia.org.au/support">Dementia Australia</a> or <a href="https://www.carergateway.gov.au/about?utm_source=google&utm_medium=paid-search&utm_campaign=10841470526&utm_adgroup=146956908840&utm_term=&gclid=CjwKCAjw9-6oBhBaEiwAHv1QvI1uJVJRppcDJtdgYNTDeObUk1tyrNUtLGBqpp3ytjb_khYkGExICBoC_5EQAvD_BwE">Carer Gateway</a> offer useful resources.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/214944/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/nikki-anne-wilson-342631">Nikki-Anne Wilson</a>, Postdoctoral Research Fellow, Neuroscience Research Australia (NeuRA), <a href="https://theconversation.com/institutions/unsw-sydney-1414">UNSW Sydney</a> Image credits: Getty Images This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/4-tips-to-help-your-loved-one-with-dementia-enjoy-the-festive-season-214944">original article</a>.

Caring

Second “royal racist” accidentally named in new book

A second member of the royal family has been accused of being "racist", after the bombshell royal exposé implied them in the scandal over baby Archie's skin colour. In Omid Scobie's new book Endgame, he discusses the comments that members of the royal family made to Meghan Markle when she was pregnant with baby Archie. Markle first shared the bombshell allegations in her tell-all interview with Oprah Winfrey in 2021, but she refused to name the royal family member who made the comments, saying, “I think that would be very damaging to them.” On Wednesday, reports emerged that copies of the book were being <a href="https://oversixty.co.nz/entertainment/books/new-royal-book-pulled-from-shelves-over-huge-legal-blunder" target="_blank" rel="noopener">pulled from shelves</a> as the Dutch translation of the book accidentally named the person involved in the scandal. Omid Scobie admitted he does know who made the comments, but UK libel laws prevented him from naming them in the book. Now, as copies of the tell-all book have been flying off shelves, it seems another member of the royal family has been implicated in the book, which is now said to be frantically being pulled from shelves. It comes after Mr Scobie denied responsibility for the Dutch translation of his new book “accidentally naming” a member of the Royal Family. Publishers Xander Uitgevers yesterday said they were seeking to remove Mr Scobie’s work from bookshelves saying there had been an “error”. Speaking to Dutch TV on Wednesday night, Mr Scobie defended his book, saying, “The book is in several languages, and unfortunately I do not speak Dutch”. “But if there are translation errors, I’m sure the publishers will have it under control." “I wrote and edited the English version. There’s never been no version that I’ve produced that has names in it.” In the English version, Mr Scobie writes, “In the pages of these private letters [given to Oprah by Markle], two identities were revealed. UK laws prevent me from reporting who they were”. But the Dutch version reads, “In those private letters, an identity was revealed and confirmed” — before going on to name a senior royal. Dutch royal reporter Rick Evers says he was one of only two journalists to be given a manuscript of Endgame last Wednesday. Mr Evers said, “I was shocked that no one else in the world mentioned the fact that a member of the royals was named in the book as the racist”. “That was the main accusation in the book that I noticed and what I put in my (review) article, which was published with a photo of that royal." “I began to question if it was only my manuscript that had the name in it. I went to get the book from a store and it was exactly the same,” Mr Evers said. “A woman called from the publisher saying there was a legal problem and my article had to be removed.” It is unclear how the error occurred, but Mr Scobie confirmed that the first royal family member named in the book is not the one stated in the letters from Meghan Markle. Image credits: Getty Images

Legal

New royal book pulled from shelves over huge legal blunder

Copies of an explosive new book about the royal family are being pulled from shelves and destroyed after a translation error "accidentally named" the alleged "royal racist". Sales of the new book Endgame, written by Omid Scobie who also wrote Finding Freedom about Harry and Meghan's exit from the royal family, were "temporarily" put on hold just days after its release after what has been labelled an error. According to Xander, the publishers of the Dutch edition of Scobie's book, a translation error led to a member of the royal family being identified as the person who made comments about baby Archie's skin colour. “[We are] temporarily withdrawing the book by Omid Scobie from sale. An error occurred in the Dutch translation and is currently being rectified,” the company said in a statement on Tuesday. Meanwhile, <a href="https://www.thesun.co.uk/royals/24884315/royal-racist-accidentally-named-omid-scobie/" target="_blank" rel="noopener">The Sun</a> claims that thousands of copies of the book are now being destroyed as a result. The "racist royal" scandal dates back to when Prince Harry and Meghan Markle sat down with Oprah Winfrey for a tell-all interview in 2021, when Markle alleged that while she was pregnant with their first child, Prince Archie, there were “concerns and conversations” from a member of the royal family about how dark his skin might be. The Duchess of Sussex stopped short of naming the person involved, telling Winfrey, “I think that would be very damaging to them.” In the original edition of his book, Scobie also declines to identify the royal, claiming libel laws prevented him from doing so – although he has confirmed he knows who it is. “I do know who made the comments about Archie’s skin colour,” he told UK program Good Morning during his book press tour. “The names were mentioned in letters between Meghan and Charles that were exchanged sometime after the Oprah interview." “We know from sources that Charles was horrified that that’s how Meghan felt. Those conversations were, and that he wanted to, sort of as a representative for the family, have that conversation with her. “And it is why I personally think they have been able to move forward with some kind of line of communication afterwards. Though they may not see eye-to-eye on it.” It’s understood the royal family member accidentally named in the Dutch edition was not the person Meghan had been referring to. Image credits: Getty Images / Harper Collins

Books

8 signs you should be booking a group tour

Not sure if you should take a tour or go it alone? These are the times you’re going to want that expert on hand. 1. When you’re on a really tight schedule A tour will help you squeeze in as much as possible in a very short time. It will plan out a sensible itinerary with no backtracking or wasted journeys and will give you a realistic idea of how much you can fit in for a day. Plus you won’t have to puzzle out public transport for yourself. 2. When you’re feeling nervous Arriving in a new place can be scary sometimes, so having someone to walk you through it will make all the difference. If a city has a reputation for being unsafe or if it’s just your first time in a foreign country, a tour will give you a great worry-free introduction. 3. When there’s a big language barrier We’re lucky in that much of the world speaks English, so we can usually muddle our way around. But in some countries you’ll find there’s a significant language barrier, so having a native speaker is going to make all the difference. 4. When you want to meet some locals This might sound counterintuitive, but an organised tour can be one of the best ways to meet some locals. First of all, your guide is likely to be local and can introduce you to their hometown. Secondly, it’s daunting to walk into a crowded bar or cool café when you don’t know anyone. A guide can smooth the way and ensure you don’t get stuck in tourist traps. 5. When it’s really busy If you don’t fancy joining the huge line outside a popular museum or waiting hours for tickets, a tour could be the way to go. They can often organise private or after hours visits, get special passes to cut the line or take you to areas that are off limits to the general public. 6. When it’s the law Want to visit North Korea? You’re going to need to join a tour. Some governments have restrictions in place that mean foreign tourists can only visit when accompanied by a registered tour guide and independent travel is simply not an option. 7. When you’re doing something really adventurous Trekking, white water rafting, canyoning or safaris – for safety reasons you’re going to need to join a tour. These kinds of activities can be dangerous, so you don’t want to be risking them on your own. A tour or private guide will show you the best way to get your heart pumping. 8. When you’re going right off the grid Places like Antarctica, the Arctic, remote corners of Africa or tricky countries like Russia are best done on a tour. Often the logistics of simply getting there are impossible for the independent traveller or you will need help navigating the complex visa process. In these instances, it’s a relief to put yourself in someone else’s hands and just concentrate on having fun. Image credits: Getty Images

Travel Tips

Mariah Carey slapped with multi-million dollar lawsuit over hit festive song

Mariah Carey is facing a multi-million dollar lawsuit over her hit festive song, as another musician has come forward claiming she plagiarised an original work. Carey’s song All I Want For Christmas Is You has long been a staple of December, and has sold over 10 million copies since its 1994 release. However, Andy Stone, lead vocalist of Vince Vance and the Valiants, claims Carey infringed on his copyright. Stone co-wrote a song, which has the same title as Carey’s smash hit, in 1989 to which he claims Carey and her team of copying his song’s “compositional structure,” according to the complaint obtained by <a href="https://www.foxnews.com/entertainment/mariah-carey-facing-20-million-lawsuit-over-all-i-want-for-christmas-is-you" target="_blank" rel="noopener">Fox News Digital</a>. <iframe title="YouTube video player" src="https://www.youtube.com/embed/w8HWHd0EYJA?si=IdW0GIKXEQBJqaO_" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe> The court documents state that Carey “directly” copied lyrics from Stone’s 1989 hit and “approximately 50 per cent” of the song is copyright infringement. Stone went on to claim that Carey and her team “undoubtedly” had access to his version of All I Want For Christmas is You due to its “wide commercial and cultural success.” Stone’s track charted on Billboard for years, with the band even performing the track at the White House in 1994 - the same year Carey’s festive song was released. “Carey has capitalised on the success of her infringing work,” Stone’s complaint alleged. <iframe title="YouTube video player" src="https://www.youtube.com/embed/yXQViqx6GMY?si=Exrq9M0AA2u5XRpB" width="560" height="315" frameborder="0" allowfullscreen="allowfullscreen"></iframe> “All I Want For Christmas is You has become a ubiquitous part of popular culture, and Carey’s name has become synonymous with the season.” Stone first sued Carey over the copyright issue in June 2022 in a Louisiana court before dropping the claim five months later. Image credits: Getty Images

Legal

How to start your own book club

Starting a book club is easy – all you need is to love reading. Here’s how to get yours off to a flying start. Finding Fellow Readers Ask around your existing personal networks, including neighbours, friends, social media, or a community noticeboard. Once you mention you want to start a club, you’ll be surprised how many people may want to come along. Ask at your local bookshop and library for ideas – many run regular reading groups and can point you in the right direction for good books. Identify what common interests you and your group have and use these to help draw like-minded people. Once you start looking, you’ll find book clubs for men or women, seniors, sci-fi lovers, teenagers or cookery buffs. The Time, the Place Once you have a group, agree on how often you want to meet – typically clubs meet monthly, though the time-poor may want to make it bi-monthly. For many clubs, meeting at home works best as you don’t have to get dressed up, and noisy public venues can make talking hard. If members bring a plate of food or a bottle, it takes the pressure off the host. But try rotating your meeting location as this will help to stimulate fresh thoughts. Idea Tailor your venue according to the book’s subject matter. The Light Between the Oceans by M.L. Stedman was discussed over fish’n’chips by one club, while The Red Tent by Anita Diamant was chewed over at a Middle Eastern restaurant. Size Matters According to Christine Callen, a book club veteran of 15 years, you need a minimum number of people per meeting to make it interesting. “Seven is the magic number – fewer and there’s not enough for healthy debate,” she says. “You can have ten people in the club – not everyone will be able to make it every time – seven provides enough opinions.” Choosing the Books If you’re the club instigator, it’s easier if you pick the first book. Seek out book reviews in good magazines and newspapers and at bookshops. The flavour of the books you choose will be largely dictated by the personalities attending – you might like to have a wide range of genres from sci-fi to romance to travel epics. Or stick to one genre, such as history books. Decide on a strategy and a time frame – say five to 12 books across the year – then review how everything appeals to the majority. Take turns to come up with a list of four or five titles, then circulate the list via email shortly after your last discussion. Members can then vote on their preferred next book and meeting time. The member scheduled to host the next meeting coordinates the responses to decide the title and date most voted for. Starting Discussion Callen recommends beginning by asking all members to briefly give their opinion on the book. “Everyone arrives and has a drink to loosen up,” she explains. “Then we take it in turns to go around the room and each give the book a mark out of ten, saying in a few sentences what we liked or disliked about it. This gives everyone a chance to speak early in the night and stops one person dominating the conversation from the start.” Tip There is no one way to interpret a book. In fact, differing opinions are good. This article first appeared in <a href="http://www.readersdigest.co.nz/home-tips/How-to-Start-Your-Own-Book-Club">Reader’s Digest</a>. Images: Getty

Books

Stan Grant’s new book asks: how do we live with the weight of our history?

<a href="https://theconversation.com/profiles/heidi-norman-859">Heidi Norman</a>, <a href="https://theconversation.com/institutions/university-of-technology-sydney-936">University of Technology Sydney</a> This month, journalist and public intellectual Stan Grant published his fifth book, <a href="https://www.harpercollins.com.au/9781460764022/the-queen-is-dead/">The Queen is Dead</a>. And last week, he abruptly stepped away from his career in the public realm, <a href="https://www.abc.net.au/news/2023-05-19/stan-grant-media-target-racist-abuse-coronation-coverage-enough/102368652">citing</a> toxic racism enabled by social media, and betrayal on the part of his employer, the ABC. “I was invited to contribute to the ABC’s coverage as part of a discussion about the legacy of the monarchy. I pointed out that the crown represents the invasion and theft of our land,” <a href="https://www.abc.net.au/news/2023-05-19/stan-grant-media-target-racist-abuse-coronation-coverage-enough/102368652">he wrote</a> last Friday. “I repeatedly said that these truths are spoken with love for the Australia we have never been.” And yet, “I have seen people in the media lie and distort my words. They have tried to depict me as hate filled”. Grant has worked as a journalist in Australia for more than three decades: first on commercial current affairs – and until this week, as a main anchor at the ABC, where he was an international affairs analyst and the host of the panel discussion show Q+A. The former role reflects his global work, reporting from conflict zones with esteemed international broadcasters such as CNN. His second book, <a href="https://www.harpercollins.com.au/9781460751985/talking-to-my-country/">Talking to my Country</a>, won the Walkley Book Award in 2016. <hr /> Review: The Queen is Dead – Stan Grant (HarperCollins) <hr /> In this new book, Grant yearns for a way to comprehend the forces, ideas and history that led to this cultural moment we inhabit. The book, which opens with him grappling with the monarchy and its legacy, is revealing in terms of his decision to step back from public life. Released to coincide with <a href="https://theconversation.com/coronation-arrests-how-the-new-public-order-law-disrupted-protesters-once-in-a-lifetime-opportunity-205328">the coronation</a> of the new English monarch, Charles III, The Queen is Dead seethes with rage and loathing – hatred even – at the ideas that have informed the logic and structure of modernity. Grant’s work examines the ideas that explain the West and modernity – and his own place as an Indigenous person of this land, from Wiradjuri, Kamilaroi and Dharawal country. That is: his work explores both who he is in the world and the ideas that tell the story of the modern world. He finds the latter unable to account for him. “This week, I have been reminded what it is to come from the other side of history,” he writes in the book’s opening pages. “History itself that is written as a hymn to whiteness […] written by the victors and often written in blood.” He asks “how do we live with the weight of this history?” And he explains the questions that have dominated his thinking: what is <a href="https://theconversation.com/whiteness-is-an-invented-concept-that-has-been-used-as-a-tool-of-oppression-183387">whiteness</a>, and what is it to live with catastrophe? <h2>The death of the white queen</h2> In his account, his rage is informed by the observation that the weight of this history was largely unexplored on the occasion of Queen Elizabeth II’s death last September. The death of the white queen is the touchpoint always returned to in this work – and the release of the book coincides with the apparently seamless transition to her heir, now King Charles III. <figure class="align-right zoomable"><a href="https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=237&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=917&fit=crop&dpr=1 600w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=917&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=917&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=1152&fit=crop&dpr=1 754w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=1152&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/527406/original/file-20230522-29-dcc0ot.jpeg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=1152&fit=crop&dpr=3 2262w" alt="" /></a><figcaption></figcaption></figure> In the lead-up to the coronation, “long live the king” echoed across the United Kingdom. Its long tentacles reached across the globe where this old empire once ruled, robbing and ruining much that it encountered. The death of the queen and the succession of her heir occurred with ritual and ceremony. Small tweaks acknowledged the changing world – but for the most part, this coronation occurred without revolution or bloodshed, without condemnation – and without contest of the British monarchs’ role in history and the world they continue to dominate, in one way or another. Grant argues the end of the 70-year rule of Queen Elizabeth II should mark a turning point: a global reckoning with the race-based order that undergirds empire and colonialism. Whereas the earlier century confidently pronounced the project of <a href="https://theconversation.com/the-power-of-yindyamarra-how-we-can-bring-respect-to-australian-democracy-192164">democracy</a> and liberalism complete, it seems time has marched on. History has not “ended”, as Francis Fukuyama <a href="https://theconversation.com/the-end-of-history-francis-fukuyamas-controversial-idea-explained-193225">declared</a> in 1989 (claiming liberal democracies had been proved the unsurpassable ideal). Instead, history has entered a ferocious era of uncertainty and volatility. Grant reminds us that people of colour now dominate the globe. Race, <a href="https://theconversation.com/racism-is-real-race-is-not-a-philosophers-perspective-82504">as we now know</a>, is a flexible and slippery made-up idea, changing opportunistically to include and exclude groups, to dominate and possess. Grant examines this with great impact as he considers the lived experience of his white grandmother, who was shunned when living with a black man, shared his conditions of poverty with pluck and defiance, then resumed a place in white society without him. And writing of his mother, the other Elizabeth, Grant elaborates the complexity of identity not confined to the colour of skin, but forged from belonging to people and kinship networks, and to place – which condemns the pseudoscience of <a href="https://humanrights.gov.au/about/news/speeches/power-identity-naming-oneself-reclaiming-community-2011">blood quantum</a> that informed the state’s control of Aboriginal lives. This suspect race science has proved enduring. Grant’s account of the death of the monarch is a genuine engagement with the history of ideas to contemplate the reality of our 21st-century present. <figure class="align-center zoomable"><a href="https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=1000&fit=clip"><img src="https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&fit=clip" sizes="(min-width: 1466px) 754px, (max-width: 599px) 100vw, (min-width: 600px) 600px, 237px" srcset="https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=600&h=400&fit=crop&dpr=1 600w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=600&h=400&fit=crop&dpr=2 1200w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=600&h=400&fit=crop&dpr=3 1800w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=45&auto=format&w=754&h=502&fit=crop&dpr=1 754w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=30&auto=format&w=754&h=502&fit=crop&dpr=2 1508w, https://images.theconversation.com/files/527467/original/file-20230522-27-ts8u8f.jpg?ixlib=rb-1.1.0&q=15&auto=format&w=754&h=502&fit=crop&dpr=3 2262w" alt="" /></a><figcaption>Grant argues the end of the queen’s 70-year rule should mark ‘a global reckoning with the race-based order that undergirds empire and colonialism’. Yui Mok/AP</figcaption></figure> <h2>Liberalism and democracy = tyranny and terror</h2> In several essays now, Grant has engaged with the ideas of mostly Western philosophers and several conservative thinkers to explain the crisis of liberalism and democracy. Grant argues that, like other -isms, liberalism and democracy have descended into tyranny and terror. The new world order, dominated by <a href="https://theconversation.com/friday-essay-stan-grant-on-how-tyrants-use-the-language-of-germ-warfare-and-covid-has-enabled-them-204183">China</a> and people of colour, is in dramatic contrast to the continued rule of the white queen and her descendants. In this, perhaps more than his other books and essays, Grant moves between big ideas in history – the <a href="https://theconversation.com/criticism-of-western-civilisation-isnt-new-it-was-part-of-the-enlightenment-104567">Enlightenment</a>, modernity and democracy – to consider himself, his identity, and his own lived experience of injustice, where race is an undeniable organising feature. In this story he explains himself, as an Indigenous person, “an outsider, in the middle”; “an exile, living in exile, struggling with belonging”; living with the “very real threat of erasure”. <h2>Love, friendships, family, Country</h2> In the final section of the book, Grant’s focus switches to the theme of “love”, and to friendships, family and Country. He speculates that his focus on these things is perhaps a mark of age. Now, he accounts for the things in life that are truly valuable – and this includes deep affection for the joy that emanates from Aboriginal families. Being home on his Country, paddling the river, he finds quiet and peace. The death of the monarch of the British Empire, who ruled for 70 years, should speak to the history of empire and colonial legacy and all its curses – especially in settler colonial Australia. Yet her passing – which coincides with seismic change in the global economic order with China’s ascendance and the decline of the United States and the UK, the global cultural order and the racial order – has been largely unexamined in public discourse in Australia. The history of colonisation and of ideas that have debated ways to comprehend the past have been a feature of Grant’s intellectual exploration, including on the death of the queen. As he details in his new book, the reaction from some quarters to this conversation has exposed him to unrelenting and racist attack. In this work and in others, exploration of the world of ideas to understand the past and future sits alongside accounts of the everyday; of the always place-based realities of Aboriginal accounts of self. The material deprivations and indignities, the closely held humility that comes with poverty and powerlessness - shared socks, a house carelessly demolished, burials tragically abandoned – are countered by another reality: the intimacy of most Aboriginal lives, characterised by deep love, affection, laughter and belonging. These place-based, “small” stories Grant shares sit alongside the bigger themes of modern history, such as democracy and freedom. In this latest work, Grant details his sense of “betrayal” at the discussion he sought about the monarch’s passing and the discussion that was actually had, the history of ideas and his own place in this. And now, of course, he has announced his intention to exit the public stage. Racism, we are reminded, is an enduring feature of the modern world – a world yet to allow space for an unbowing, Wiradjuri-Kamilaroi-Dharawal public intellectual.<img style="border: none !important; box-shadow: none !important; margin: 0 !important; max-height: 1px !important; max-width: 1px !important; min-height: 1px !important; min-width: 1px !important; opacity: 0 !important; outline: none !important; padding: 0 !important;" src="https://counter.theconversation.com/content/204756/count.gif?distributor=republish-lightbox-basic" alt="The Conversation" width="1" height="1" /> <a href="https://theconversation.com/profiles/heidi-norman-859">Heidi Norman</a>, Professor, Faculty of Arts and Social Sciences, <a href="https://theconversation.com/institutions/university-of-technology-sydney-936">University of Technology Sydney</a> This article is republished from <a href="https://theconversation.com">The Conversation</a> under a Creative Commons license. Read the <a href="https://theconversation.com/stan-grants-new-book-asks-how-do-we-live-with-the-weight-of-our-history-204756">original article</a>. Images: Q+A / ABC

Books

"A true legend": Jane Fonda pegs award at director's head

Film icon Jane Fonda is known to entertain the masses, and her cheeky antics at the 2023 Cannes Film Festival saw her do just that. While hosting Palme d’Or Awards on May 27, Fonda, 85, called up director Justine Triet who had won the award for Anatomy of the Fall, but it was Fonda’s deliverance of said award that had viewers in stitches. The 85-year-old tried to get Triet's attention, but after multiple attempts of calling out to her, Fonda decided to throw the scroll at the director’s back. When the scroll hit Triet on the back of the head and fell to the floor, she didn’t appear to notice. The Book Club star’s unconventional passing of the award sent Twitter users into a frenzy, with many praising her, calling her a “queen” with an “excellent shot.” "A true legend." one person wrote. "This just made my day! 😂😂😂" another said. <blockquote class="twitter-tweet"> favorite cannes moment is officially jane fonda throwing the palme d'or certificate at justine triet because she forgot to take it <a href="https://t.co/6tv8TEj8zw">pic.twitter.com/6tv8TEj8zw</a> — flo ¨̮ (@astralbarnes) <a href="https://twitter.com/astralbarnes/status/1662568221931601920?ref_src=twsrc%5Etfw">May 27, 2023</a></blockquote> Fonda hit the red carpet dazzled in black sequins. Her black gown was faired with a chain necklace and matching earrings. The beloved actress has been documenting her Cannes weekend via Instagram, sharing photos of herself with Hollywood greats Eva Longoria and Kate Winslet, as well as a snippet of her accommodation. Fonda’s attendance comes five months into her remission after <a href="https://www.oversixty.com.au/health/caring/jane-fonda-reassures-fans-after-cancer-diagnosis" target="_blank" rel="noopener">announcing her non-Hodgkin's lymphoma diagnosis</a> in September 2022. She revealed the happy news on her Instagram, titling it "BEST BIRTHDAY PRESENT EVER!!!" ”Last week I was told by my oncologist that my cancer is in remission and I can discontinue chemo," she wrote. "I am feeling so blessed, so fortunate." Image credit: Getty

7 hot things to do this winter

The best thing about winter in Australia is that in most parts of the country the weather doesn’t stop you from spending time outside. While swims at the beach might be out, there are still many things you can do out in the fresh winter air. We’ve rounded up some of our favourites. 1. Christmas in July picnic While people may think picnics are a summer-only activity, when it’s a sunny winter's day there is nowhere better to be than outdoors. As long as you suitably rug up, a picnic in your local park with family and friends is the perfect way to spend the day. With July coming up why don’t you get your family and or friends together and throw a Christmas in July party. It’s even an appropriate time get out the Christmas jumpers – something we cannot do on December 25th in this country. 2. A trip to the zoo Visiting the zoo is a great day out for all, young and old. Many zoos across the country put on special shows and activities during the school holidays (think June/July), so this is a great time to think about taking younger family members or the grandkids. 3. Wine and cheese tasting Whether you want to head out to some wineries for the day or have your own wine and cheese tasting soiree at home, winter is the perfect time to kick back with a lovely glass of red and a platter of cheeses. While Australia has many amazing wineries that everyone should try, we also love the idea of holding a wine tasting party. You can assign one type of wine to each of your guests and even theme the day (wines from one country or each person brings a wine from where they grew up) to make it more fun. 4. Walk in a national park We are so blessed with beautiful national parks in Australia, and many of them have lots of walking trails ranging from easy to more strenuous. While rainy, snowy or extremely windy days won’t be ideal for heading out for a walk, the crisp winter air combined with the sun offers the perfect conditions for a long walk. Just don’t forget a raincoat, some water and your mobile phone in case you need them. 5. A day trip to a remote pub Life is all about experiences and they say that those who mix things up, are generally happier people. So quick, get out of town for the day. Research small towns nearby and look for a lovely pub to go for a nice lunch at. You might even want to make a special playlist of old songs to make the car journey extra fun. 6. Have a bake off with your friends It is winter, so there are bound to be some rainy or snowy days. On these days when you’re restricted to indoor activities, why not invite the grandkids, family or friends over and have a mini bake-off. Competition aside, at the end of the bake-off you’ll have some warm treats to enjoy with a nice cuppa. 7. Start a winter book club There’s no better time to start a book club than during winter. Not only is winter the perfect time to curl up on the couch with a blanket and catch up on reading, it is also a time when you’ll be more inclined to spend time indoors by the fire or heater. Why not turn your extra time spent reading into a book club? It gives you an excuse to catch up and spend hours on end chatting with friends – even if the conversation veers away from the book. Images: Getty

Retirement Life

All grown up! Catherine Zeta-Jones' daughter makes Cannes debut

Catherine Zeta-Jones and Michael Douglas’ daughter, Carys Zeta-Jones, has made her debut at the Cannes Film Festival. The 20-year-old, who appeared alongside her parents, attended the screening for Jeanne du Barry on Tuesday. Carys stunned in a semi-sheer white gown with intricate floral detailing. She completed the look with a pair of statement diamond earrings and had her hair up in an elegant bun. Her mother, Catherine, looked glamorous in a flowy red gown with a plunging neckline which she paired with a matching dark red lip. Her father, Michael, who was awarded an honorary Palme d’Or award during the evening, looked dapper in a suit and stood centre frame as they made their glamorous entrance. The festival will also screen a previously-unreleased documentary about Michael’s life, called Michael Douglas: The Prodigal Son, as part of a tribute to his lengthy career. Carys’ appearance in the Cannes Film Festival feels like a full circle moment as it is where her parents met in 1998. The pair ended up getting married just two years later and have been considered as one of the power couples in the industry since. Images: Getty

Beauty & Style

5 authors who hated the film adaptation of their book

Most movies these days are adapted from something – whether it’s a book, a musical, a news story or even another film. However, commercial and critical success doesn’t necessarily guarantee everyone will be happy. Surprisingly, the authors of these 5 movies didn’t think much of the film adaptations of their books. 1. Mary Poppins Author of Mary Poppins P. L. Travers initially had no problem with her book being turned into a film, until she discovered that Disney had disregarded almost all of her edits. When it was released in 1964, then-65-year-old Travers voiced her disapproval at the animated scenes and the downplaying of Poppins’ stricter side. She reportedly spent most of the film premiere crying, and vowed never to let Disney near another of her books. 2. The Shining With such a prolific author like Stephen King, there are bound to be a few hits and misses when it comes to film adaptations. After King put his faith in acclaimed director Stanley Kubrick, whom he greatly admired, he found himself extremely disappointed in the final product, which went on to become a horror classic. “Kubrick just couldn't grasp the sheer inhuman evil of The Overlook Hotel,” the author explained. “So he looked, instead, for evil in the characters and made the film into a domestic tragedy with only vaguely supernatural overtones.” 3. Forrest Gump The 1995 Best Picture winner was a hit with everyone – except author Winston Groom, that is. Angry at the filmmakers for toning down the language and sexual references as well as omitting certain important plot points, Groom got back at Hollywood in the first few lines of the book’s sequel: “Don't never let nobody make a movie of your life's story,” he writes "Whether they get it right or wrong, it don't matter.” Groom sued the producers after failing to receive his promised 3% cut of the profits, and wasn’t mentioned in any of the six Oscar acceptance speeches by the cast and crew. 4. A Clockwork Orange It’s one thing to hate the film adaptation of your book, but to end up hating the book itself? It seems strange, but that’s exactly what happened to Anthony Burgess. Years after the release of the book and the film, Burgess claimed he regretted writing the book, which he wrote in three weeks and only because he was desperate for money, so was unhappy when it was turned into a film that “seemed to glorify sex and violence.” He adds, “The film made it easy for readers of the book to misunderstand what it was about, and the misunderstanding will pursue me till I die.” 5. Willy Wonka and the Chocolate Factory One of the most beloved films of all time, the adaptation of Charlie and the Chocolate Factory certainly wasn’t beloved by Roald Dahl. He thought the 1971 film was “crummy” and that Gene Wilder’s portrayal of Willy Wonka was “pretentious” and “bouncy”, claiming director Mel Stuart had “no talent or flair”. For this reason, as long as the rights to his work is in the hands of his family, you’ll never see the book’s sequel, Charlie and the Great Glass Elevator, grace the silver screen. Images: Getty

Books

“A lesson learned”: Uni student lands herself in an overdue book nightmare

A university graduate student received the shock of her academic career when an email arrived in her inbox to inform her she owed her school’s library a whopping $11,900 in overdue book fines. Hannah took to TikTok to share her story, posting a snippet of the horror email, and the news that her library account had amassed a debt of “$11,9000 owed for 119 lost books”. The books had been declared lost, though Hannah was quick to note that she was “still using” each of them, and had every intention of returning them once she was finished with her studies. To drive home the fact that the books were not missing, and instead safely in her scholarly possession, Hannah panned around the various piles of tomes stacked around her home, with a caption reading “the books aren’t lost, I’m just hoarding them until I finish my dissertation.” The email itself explained the books were marked as lost in the library’s system if they exceeded 30 days overdue, and that there was a flat rate of $100 per book in such instances. And according to the library, it was up to each patron to renew their books, and that Hannah “received overdue notices on the following dates prompting you to renew your library books before they are declared lost.” As she explained to The Daily Dot, she had checked out her collection three years prior while she’d been preparing for exams, and confirmed that she had received four reminders to either renew or return the books, but she’d put it off each time. “Then I got the automatic email,” she added, “saying all of the books were marked as lost and my account was charged $100 per book.” Hannah’s woe drew a mixed response from her audience, with some surprised that her library had even let her withdraw that many books in the first place, others unable to wrap their heads around the fact she could have let her situation get so bad, and many quick to defend the librarian, who they declared had only been doing her job. “My library only lets me check out 5 books at a time,” one wrote. “That’s why keeping library books past their due date is considered stealing,” another said, to which Hannah responded to promise her lesson had been learned. “Only 30 days over due??? Damn give a lil more time,” said one, with Hannah informing them that she’d had the books for years by that point. It wasn’t all bad for the budding scholar though, with Hannah explaining in another comment that “it was hunky dory”, as the library had waived her fees as soon as she’d responded to them, and that she’d been allowed to keep all 119 for an additional year. And, as she told another follower, “I’ve never replied to an email faster.” Images: TikTok

Books

Murder charge levelled at children's book author

Author Kouri Richins wrote a children’s book on grief following the death of her husband in 2022. She is now being charged with his murder. Richins was arrested on May 7 in Utah and is accused of charging documents of poisoning her husband with a lethal dose of fentanyl at their home in Kamas, a small mountain town near Park City. Prosecutors allege Richins called authorities in the middle of the night in March 2022 to report that her husband, Eric Richins, was “cold to the touch”. The mum-of-three told authorities she had made her husband a mixed vodka drink to celebrate him selling a home and then went to soothe one of their children in their bedroom. She later returned and found her husband unresponsive, which prompted her to call 911. A medical examiner later found five times the lethal dosage of fentanyl in his system. Additionally, Richins is facing charges involving the alleged possession of GHB - a narcolepsy drug typically used in recreational settings, including at dance clubs. The charges, which are based on officers’ interactions with Richins that evening and the account of an “unnamed acquaintance” who claimed to have sold her the fentanyl, come two months after Richins appeared on local television to promote Are You With Me, a picture book she wrote to help children cope with the death of a loved one. For a segment called Good Things Utah, Richins referred to her husband’s death as unexpected and explained how it sent her and her three boys spiralling. In terms of children, she said, grieving was about “making sure that their spirit is always alive in your home”. “It’s ... explaining to my kid just because he’s not present here with us physically, doesn’t mean his presence isn’t here with us,” she told the reporters, who commended her for being an amazing mother. Richins’ lawyer, Sky Lazaro, declined to comment on the charges. Image credit: Instagram

Legal

Woman reunites with family 50 years after her abduction

DNA testing has confirmed the identity of a Texas woman who was allegedly abducted by her own babysitter when she was 22 months old, and reunited with them after 51 long and painful years apart. The Fort Worth Police Department announced that they had “completed official DNA testing which confirmed Melissa Highsmith’s identity”, while noting their hope that “this test result will offer additional closure for the Highsmith family”. While they requested that anyone with more information come forward, the criminal statute of limitations expired 20 years after Melissa’s 18th birthday. As NBC Dallas-Forth Worth reported, Melissa’s own mother was initially suspected of possibly killing her and then covering up the crime, and the family claimed that a babysitter had been responsible for taking her back in 1971. Melissa’s disappearance had been one of America’s oldest missing persons cases, according to WFAA. And while Melissa’s family had spent decades searching for their long lost loved one, it wasn’t until November 2022 that they made their first major breakthrough, when a 23andMe DNA test presented a link between Melissa and her biological parents. It was these same results that the Fort Worth Police Department was seeking to confirm. "I feel like I am dreaming,” Melissa told WFAA upon reuniting with her parents after their life changing discovery, “and I keep having to pinch myself to make sure I'm awake.” "I’m just elated, I can't describe my feelings,” Melissa’s mother, Alta Apantenco, added, “I'm so happy to see my daughter that I didn't think I would ever see her again.” Meanwhile, her father Jeffrie Highsmith admitted that he “cried like a baby”. Melissa went on to tell her family that she had had a difficult life, even going so far as to run away from home, and that she’d done “what I had to do to get by”. “I didn’t feel loved as a child,” she said. “It was abusive, and I ran away at 15 years old.” And the whole time, she’d been living just 20 minutes from her biological family. That same family who are overjoyed to have their beloved Melissa back with them, and took to social media to update followers, sharing the delightful news that their search was - finally - over. “The results were exactly what we already knew. She was in fact Melissa Suzanne HIghsmith!” they wrote on their Facebook page. “We now have the OFFICIAL confirmation that she is ours! Our daughter, sister, aunt, cousin, niece. We are thrilled! We are thankful and grateful for all the love and support we have received over the years and especially since we found Melissa. “Our family is whole and we look forward to the time we will be able to spend as a family of 7!” Images: Facebook

Family & Pets

Aussie author of "Puberty Blues" dies at 64

Gabrielle Carey, co-author of the iconic novel Puberty Blues, has passed away at 64. The news was reportedly broken by Carey’s old friend and co-writer Kathy Lette, who was the other half of the creative powerhouse that brought Puberty Blues to life. In a post to social media, Lette shared a throwback picture of the pair in their younger years, and wrote, “I’m deeply saddened by the tragic news about my old friend Gabrielle Carey. “I have such happy memories of our teenage years. They were halcyon, heady days full of love, laughter and adventure. “We made some mischief and broke some barriers by writing Puberty Blues – our raw, earthy take on the brutal treatment of young women in the Australian surfing scene which is sadly, still so relevant. “My heartfelt condolences to her family and friends.” <blockquote class="twitter-tweet"> I’m deeply saddened by the tragic news about my old friend Gabrielle Carey. I have such happy memories of our teenage years. They were halcyon, heady days full of love, laughter and adventure. 1/2 🧵 <a href="https://t.co/2wZZiRf1hd">pic.twitter.com/2wZZiRf1hd</a> — Kathy Lette (@KathyLette) <a href="https://twitter.com/KathyLette/status/1654136967636959234?ref_src=twsrc%5Etfw">May 4, 2023</a></blockquote> The groundbreaking book they penned together, which went on to be adapted as both a movie and a hit TV series, was a candid - then-controversial - story of two teenage girls growing up in Sydney’s Sutherland Shire. It pushed boundaries, captivated young audiences while tackling themes many did not expect for said target audience, and is regarded by many as being the first Australian teenage novel to be written by teens. From Puberty Blues, Carey went on to publish memoirs and nonfiction works, with another of her books - her 1984 Just Us, which covered her relationship with rapist and prisoner Terry Haley, who she married while he was imprisoned - also made into a telemovie in 1986. No suspicious circumstances surrounded her death, according to The Australian, though the tragic news comes just months after she wrote about her father’s suicide in The Sydney Morning Herald. At the time, Carey had revealed she was afraid of reaching 64, as that was when he too had passed on. “It was only decades later, when my father died from suicide on the very day he turned 64, that I became terrified of that number,” she wrote. “If I have inherited my father’s disposition for depression, did that mean I would also end up in an early grave? Carey’s early passing is one that has hit her friends and her fans hard, with many joining Lette in sharing their grief and their condolences on social media. “Farewell dear Gabrielle. You were a sister in the cause of mental illness, its impact & our children. I’m enriched for having known you,” one supporter wrote. “Thank you.” “Writer - Reader - Intellectual - Joycean (fanatical) - Elizabeth von Arnim devotee - Avid Gardener - Rose Petal Jam Maker - Football Follower - Kayaker - Yogi - Joker - Irrepressible Spirit - Hobbit - Underground Writer - My Friend,” friend and fellow writer Yumna Kassab wrote. “I will always miss you.” “So sorry for your loss,” one fan said in response to Lette’s tweet. “You have no idea how much as a girl growing up in a coastal town with a surfing scene I understood Puberty Blues. I saw it every day. You & Gabrielle laid it all bare & made girls stand up for themselves. Thank you”. “My deepest condolences Kathy,” another offered. “The two of you wrote something so treasured by Gen X girls. It was our ‘how to say no guide’. Our Teen handbook. But it still let us live our lives & learn as we went. RIP Gabrielle Carey.” Images: Facebook

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Artist keeps craft alive with beautifully bound books

In a world taken over by digitised forms of just about everything, book artist Liz Constable says her beautifully bound bohemian journals, handmade envelopes and painstakingly stitched self-help books still inspire the biggest shrieks of delight from total strangers. Journaling in cafés, Constable often feels eyes shrouding over her diary. "They say, oh that looks like a very old book," Constable says. "Oh yes, it's two weeks old," she laughs. Type 'book art' into online creative depository, Pinterest, and it will come up with 636 ways of turning old, clunky books into works of art. Likewise, Google images paints a pretty picture of the ways you can up-cycle unwanted novels. But unlike the art we relegate to a shelf or a picture hook, Constable's creations are usable. They're designed to be drawn on, hauled around in a tote and pulled out to illustrate ideas, and are made with any material she can get her hands on. "It's that old worldy style," she says. "Everyone wants things to look old. You see people with laptops in bags that look like they're carrying old typewriters." What started off as a hobby 16 years ago turned into a full time business called Book Art Studios in 2007, when Constable, then a careers counsellor, says she counselled herself out of her former job and into where her heart truly lay- making books. It began with dying her journal papers with tea and coffee, then a friend introduced her to coloured dye. Now the "scavenger by nature" says her books are made with paper taken from the likes of old shipping maps, cloth and other recycled materials, before being stitched and bound in her own West Auckland studio. The UK migrant makes books for the likes of happy couples who need something special to keep track of wedding guests, to soda giant Coca Cola who commissioned Constable to make books for staff training, and Fonterra, whose Constable-made creations went all the way to a conference in China. Constable believes it's the nostalgia that inspires such gushing responses from people who frequently request to hug her when they see her creations. Not so long ago she hand delivered a job application written in a handmade book, nestled in a mail art envelope. She despairs walking into bookstores and seeing the rows and rows of identical book spines, prompting ever more thoughts about how she can make her work stand out. It's a thought at the forefront of her mind as Constable prepares to undertake something she's never done- producing her first book series en masse by enlisting the help of potential publishers at the Frankfurt Book Fair in October. After years of ensuring each of her works is unique, Constable said the decision to take hand made to mass made came after reading a theory that it takes 10,000 hours to perfect a skill. Constable realised she'd clocked up more than enough over time, and enjoyed 'the simple life' long enough to begin relishing the fruits of her labour. She wants to produce a series of semi-autobiographical self-help books, whose roots can be traced back to the death of Constable's aunt many years ago. "Oh, I see a door," were her finals words on her death bed, prompting Constable to wonder just what exactly was behind that door. "I was so curious," Constable says. The words kept coming and before she knew it, nine books were conceived. The Martha series, she calls it. Stories for adults grappling with bigger issues. In March she published and began selling another self-help book, One Small Drop, in order to help fundraise for Frankfurt. Unlike the text heavy self help books of yester-year, you can hold One Small Drop in one hand. The pages are laser cut with small drops that turn into hearts with every page turn, the colours gradually turning from dark to light. More than 7,000 authors and book makers at the book fair will be vying for the attention of publishers who scout the exhibits for "innovate business models". After attending the fair some years ago Constable walked around searching for fellow book artists, disheartened to find they were "miles away from anywhere." Her exhibit, she promises, will be like walking into one of her storybooks. "I came back and I said I'm not going to stand in a queue trying to get someone to read it. I said I don't care how it happens, I'm going to get someone to pick up the Martha series." Written by Kelly Dennett. First appeared on <a href="http://www.stuff.co.nz" target="_blank" rel="noopener">Stuff.co.nz</a>. Image credit: Getty

Books

What’s behind the magic of live music?

For months, fans were relegated to watching their favorite singers and musicians over Zoom or via webcasts. Now, live shows – from <a href="https://abc7chicago.com/lollapalooza-2021-vaccine-requirement-saturday/10922695/">festivals like Lollapalooza</a> to <a href="https://www.nytimes.com/live/2021/09/14/theater/broadway-reopening-shows-nyc">Broadway musicals</a> – are officially back. The songs that beamed into living rooms during the depths of the COVID-19 pandemic may have featured an artist’s hits. But there’s just <a href="https://www.belfasttelegraph.co.uk/news/republic-of-ireland/emotional-and-surreal-fans-return-to-live-music-in-ireland-40525205.html">something magical</a> about seeing music surrounded by other people. Some fans reported being so moved by their first live shows in nearly two years that <a href="https://twitter.com/CaitlinSchiffer/status/1437988855676817411?s=20">they wept with joy</a>. <a href="https://music.columbia.edu/bios/mariusz-kozak">As a music theorist</a>, I’ve spent my career trying to figure out just what that “magic” is. And part of understanding this requires thinking about music as more than simply sounds washing over a listener. <h2>Music as more than communication</h2> Music is often thought of as a <a href="https://doi.org/10.3389/fpsyg.2012.00052">twin sister to language</a>. Whereas words tend to convey ideas and knowledge, music transmits emotions. According to this view, performers broadcast their messages – the music – to their audience. Listeners decode the messages on the basis of their own listening habits, and that’s how they interpret the emotions the performers hope to communicate. But if all music did was communicate emotions, watching an online concert should’ve been no different than going to a live show. After all, in both cases, listeners heard the same melodies, the same harmonies and the same rhythms. So what couldn’t be experienced through a computer screen? The short answer is that music does far more than communicate. When witnessed in person, with other people, it can create powerful <a href="https://www.cambridge.org/core/journals/behavioral-and-brain-sciences/article/music-as-a-coevolved-system-for-social-bonding/F1ACB3586FD3DD5965E56021F506BC4F/share/467b545a472056b57236dd84e46e9495712b2a6e">physical and emotional bonds</a>. <h2>A ‘mutual tuning-in’</h2> Without physical interactions, our well-being suffers. We fail to achieve what the philosopher Alfred Schütz called a “<a href="https://www.jstor.org/stable/40969255">mutual tuning-in</a>,” or what the pianist and Harvard professor Vijay Iyer more recently described as “<a href="https://www.ojaifestival.org/2017-ojai-music-festival-program-notes/">being together in time</a>.” In my book “<a href="https://global.oup.com/academic/product/enacting-musical-time-9780190080204?cc=us&lang=en&">Enacting Musical Time</a>,” I note that time has a certain feel and texture that goes beyond the mere fact of its passage. It can move faster or slower, of course. But it can also thrum with emotion: There are times that are somber, joyous, melancholy, exuberant and so on. When the passage of time is experienced in the presence of others, it can give rise to a form of intimacy in which people revel or grieve together. That may be why physical distancing and social isolation imposed by the pandemic were so difficult for so many people – and why many people whose lives and routines were upended reported an <a href="https://doi.org/10.3389/fpsyg.2020.581036">unsettling change in their sense of time</a>. When we’re in physical proximity, our mutual tuning-in toward one another actually <a href="https://doi.org/10.1371/journal.pone.0094446">generates bodily rhythms that make us feel good</a> and <a href="https://doi.org/10.3389/fpsyg.2016.00782">gives us a greater sense of belonging</a>. One study found that babies who are bounced to music in sync with an adult <a href="https://doi.org/10.1111/infa.12140">display increased altruism</a> toward that person, while another found that people who are close friends tend to <a href="https://www.sciencedaily.com/releases/2012/12/121213104230.htm">synchronize their movements</a> when talking or walking together. Music isn’t necessary for this synchronization to emerge, but rhythms and beats facilitate the synchronization by giving it a shape. On the one hand, music encourages people to make specific movements and gestures while they dance or clap or just bob their heads to the beat. On the other, music gives audiences a temporal scaffold: <a href="https://www.youtube.com/watch?v=4hYYgz-AJKU">where to place these movements and gestures</a>so that they’re synchronized with others. <h2>The great synchronizer</h2> Because of the pleasurable effect of being synchronized with people around you, the emotional satisfaction you get from listening or watching online is fundamentally different from going to a live performance. At a concert, you can see and feel other bodies around you. Even when explicit movement is restricted, like at a typical Western classical concert, you sense the presence of others, a mass of bodies that punctures your personal bubble. The music shapes this mass of humanity, giving it structure, suggesting moments of tension and relaxation, of breath, of fluctuations in energy – moments that might translate into movement and gesture as soon as people become tuned into one another. <div data-react-class="Tweet" data-react-props="{"> <div> </div> </div> This structure is usually conveyed with sound, but different musical practices around the world suggest that the experience is not limited to hearing. In fact, it can include the synchronization of visuals and human touch. For example, in the deaf musical community, sound is only one small part of the expression. In Christine Sun Kim’s “<a href="http://christinesunkim.com/work/face-opera-ii/">face opera ii</a>” – a piece for <a href="https://pubmed.ncbi.nlm.nih.gov/31750130/">prelingually deaf</a> performers – participants “sing” without using their hands, and instead use facial gestures and movements to convey emotions. Like the line “fa-la-la-la-la” in the famous Christmas carol “<a href="https://youtu.be/WgEVI8DEkF8">Deck the Halls</a>,” words can be deprived of their meaning until all that’s left is their emotional tone. In some cultures, music is, conceptually, <a href="https://doi.org/10.1098/rstb.2014.0096">no different</a> from dance, ritual or play. For example, the <a href="https://doi-org.ezproxy.cul.columbia.edu/10.2307/850267">Blackfeet in North America</a> use the same word to refer to a combination of music, dance and ceremony. And the <a href="https://doi.org/10.7551/mitpress/9780262018104.003.0002">Bayaka Pygmies of Central Africa </a>have the same term for different forms of music, cooperation and play. Many other groups around the world categorize communal pursuits under the same umbrella. They all use markers of time like a regular beat – whether it’s the sound of a <a href="http://www.kumeyaay.info/music/gourdrattles.html">gourd rattle</a> during a <a href="http://eviada.webhost.iu.edu/scripts/collection.cfm?mc=7&ctID=33">Suyá Kahran Ngere ceremony</a> or <a href="https://nyupress.org/9780814731208/the-games-black-girls-play/">groups of girls chanting</a> “Mary Mack dressed in black” in a hand-clapping game – to allow participants to synchronize their movements. Not all of these practices necessarily evoke the word “music.” But we can think of them as musical in their own way. They all teach people how to act in relation to one another by teasing, guiding and even urging them to move together. In time. As one. Image credits: Getty Images This article originally appeared on <a href="https://theconversation.com/whats-behind-the-magic-of-live-music-169343" target="_blank" rel="noopener">The Conversation</a>.

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